![]() A high slope will be very abrupt, while a low slope may impact a too wide a range of frequencies. ![]() A shelf filter is a gradual change, which is what makes it easier to use than a banded EQ program. Remember, bringing down the bass is, in effect, boosting your mids and highs, giving a more crisp sound if you feel the mic is “muddy” or “muffled.”ģ: Slope is how sharp the change is. Don’t go overboard, 6-7dB is probably near the maximum you’ll want to adjust in any EQ adjustment. I’d keep this value between 150hz and 300hz for adjusting the bass, but feel free to play around with it.Ģ: Gain affects the magnitude of the change. The lower the number the less impact it will have on your voice overall, while going higher will begin to impact the mid-range as well. For bass, a good starting point is a corner frequency of 200hz. This is basically where on the audio spectrum your adjustment is going to be located. We’ll define these items below:ġ: The dropdown menu lets you select corner or center frequency. When added you’ll see 3 dials with various options near them. This will let you find similar functions in basically any common EQ VST or stand-alone program.īoth programs adjust audio in real-time, so feel free to record yourself at different levels and see if the changes you make are in the right direction.Īdding bass can be a great way to add a feeling of depth to your voice, giving you that radio personality sound, but go too far and you’ll sound muddy and muffled.įor EQ APO the first step is to add a Low Shelf Filter This is found by clicking the green plus sign -> Parametric Filters -> Low Shelf Filter. However, since Voicemeeter has a graphic EQ with shelf filters, we’ll point out what they look like as well. We use EQ APO for our RNNoise tutorial, therefore we'll focus on that in order to keep everything in one place. In particular we’re going to be showing screenshots from two common programs: EQ APO and Voicemeeter. ![]() This is why to start we’re going to focus on the shelf filtering instead of more advanced concepts like EQ matching. While those minute adjustments may give you maximum control, the reality is a simple shelf filter can probably achieve what you want with far less headache. However, that doesn’t mean necessarily using a 16+ band EQ program. You can use almost any audio program to adjust the EQ of a mic. As a result you have to pick if you want more bass, more mids, or more treble. If you increased the entire spectrum 5% it would be no different than increasing the volume 5%. Due to the complexity of the human voice it is often easier and faster to adjust the lows and highs than mess with the mids, as the most important thing to keep in mind is that increasing one area is, in effect, decreasing another. To keep things simple we’re going to use shelf filters to adjust the bass and treble of the microphone. If you’re interested in filtering out background noise and adjusting the overall volume we’ve got this amazing tutorial on EQ APO and RNNoise. In this article we’ll be talking about changing the tone of a microphone. Audio is subjective, that’s the first thing to always keep in mind when talking about what “sounds good.” While we believe that the ModMic products all sound AMAZING right out of the box, there may be a wide variety of reasons you’ll want to adjust the way your microphone sounds.
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